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From Liquid Passion: When business leads Haruna to Nakagawa's family-owned brewery, it's love at first sight for Haruna. Too bad that Nakagawa and his crotchety grandpa can only say "not interested" to his offers. Will Haruna ever secure the distribution rights to the best sake in town? And more importantly, will he manage to win over the cantankerous brewer's grandson?
Bookstore employee Serizawa – a short, comical, and adorable young man – spots Keito, an immensely tall and intense-eyed man, in the store. It was love at first sight for Serizawa! However, Serizawa realizes that Keito is extremely shy and meek. What's holding him back? Can Keito overcome his shyness and reveal his true feelings?
From DMP: Horyuu is a shining, good looking surfer idol. Shouin, who is enamored with • him, is a calm, restrained and mature youngster. Though Horyuu is the polar opposite to the subdued Shouin, he cannot erase from his mind the secret confession which they shared... * Contains two oneshots called Utakata no Hibi in vol. 1 and Beautiful World in vol. 2, prequel to Kurumi no Naka. • Utakata no Hibi - At 35, an art teacher is given a choice between an operation with a success rate of only 30% or another three years to live without it. He refuses the operation and proceeds to live a kind of half-life. But that spring, he meets and has an affair with a loud and healthy student from Osaka. Still, the knowledge of his impending death keeps him from being fully involved. • Our Everlasting - All Sohei wanted was to film the beautiful man he'd caught a picture of before. But is the price too high... - Peccatore Sanctuary
The story of the characters of In the Walnut is actually a spin off a oneshot that was published in Keijijyou na Bokura (Our Everlasting) volume 2. What do a gallery owner, Hideo Tanizaki, and a young, naïve filmmaker, Sohei Nakai, have in common? Well, both of them are 24 years old – that’s a good start. They both graduated from the same art school – that can’t hurt either. The fact that Tanizaki has a penchance for art forgery is just one “minor” difference between the two that Tanizaki hopes to rectify pretty quickly.